For Olympic host cities, wins and losses last forever
On a field of dirt, about a hundred octagonal white tents are lined up in neat rows. They’re weather-beaten and coated with dust, but the logo of the United Nations High Commissioner for Refugees still peeks through on their fabric rooftops, revealing their purpose. Like many refugee camps set up in recent years, this one is a mix of desperation and inactivity. Unlike most others, it’s surrounded by stadium seating.
Can the vast, abandoned Houston Astrodome find unlikely redemption as one of the world’s largest indoor parks?
When Dene Hofheinz Anton was a young girl in the early 1950s, her father would carve time out of his busy schedule as the mayor of Houston, Texas, to take her to see the Buffaloes, the city’s minor-league baseball team. Mayor Roy Hofheinz had previously served in the state legislature and also as the top official in Harris County, which includes Houston, and his significant status meant he was intimately connected with the goings-on of the city.
A revolution in stadium displays gave birth to the kiss cam.
Neither the date nor place was recorded, but it was likely in the summer or fall of 1980 in the Los Angeles Dodger stadium: a camera zoomed in on a man and a woman and broadcast their faces onto a massive full-color video screen above the left-field bleachers. The man and the woman kissed. The crowd cheered. A cultural sensation was born.